hollywood netflix review nytimes

Review: ‘Hollywood’ Gives Movie History a Sudsy Rewrite Ryan Murphy’s latest for Netflix starts an intriguing journey into an alternative 1940s Tinseltown, then swerves into schmaltz. Filed under hollywood , netflix , TV , 5/7/20 One character who maintains some measure of complexity is Parsons’s jaded, hungry Henry, who gives a meta critique after screening a cut of the movie-within-a-show: “There is something about the ending that I just don’t buy.” It’s a knowing, self-aware line, but in the end “Hollywood” doesn’t heed that voice. I can only hope “Hollywood” suffers the same fate this offensive series bestowed on actual Hollywood. The Witcher Review: You can relax, Netflix's Witcher series kicks ass. Once Upon a Time in Hollywood review: A sprawling and indulgent ode to a Golden Age. Hollywood review: This big shiny mess shows Netflix has more money than time. The pleasures of “Hollywood” are in its eye for historical details and its lusty, swellegant period cosplay. Archived. Ryan Murphy’s latest for Netflix starts an intriguing journey into an alternative 1940s Tinseltown, then swerves into schmaltz. Scrolling through the endless roster of films currently available on streaming networks is a daunting task, which is why we're here to highlight the very best movies on Netflix right now. Hollywood review: Intriguing Netflix miniseries dreams up alternate film history. Laura Harrier and Darren Criss in a scene from “Hollywood,” which imagines a different, more inclusive history of the postwar movie business. The Netflix miniseries Hollywood is … A starring role is not in the stars for someone like Camille in 1940s Hollywood. A staggering 22 years ago, the teen drama series Dawson’s Creek introduced many young Americans to the sun-dappled shores of the Carolinas. The show’s spinoff, “9-1-1: Lone Star,” now starring Gina Torres and a tank, returns right after. /r/all. UNLIMITED TV SHOWS & MOVIES. Those films were borne of hard-won fights for equality. There is something to be said for the show’s fluffy confection of ahistoricism when it’s not indulging in myths of racial reconciliation and movies-as-changemakers. Within just a year, it kick-starts a wave of major films starring women and people of color and “racial protests across the country simply melt away,” according to a fictional newsreel. Halle Berry’s best actress win for “Monster’s Ball” didn’t suddenly open doors for other black women in Hollywood. Mank movie review: David Fincher’s new Netflix film -- a movie about movies -- is satirical but sweet, weary but vengeful. It is determined to haul you to Dreamland, no matter how bumpy the ride. That’s because history has proved that even for those who have been sympathetic to the causes of the marginalized, there’s only so much power they are willing to concede. Posted by 1 year ago. Ms. Harris is an Op-Ed staff editor and writer. The Times is committed to publishing a diversity of letters to the editor. “Hollywood” is emphatic about what “Meg” is able to achieve for those like Anna May and Avis. For a time, I longed to live in that period. Tiny by Sarah Midkiff Netflix Announces 2021 Film Slate. But Archie, Camille and Anna May also get to pursue their dreams and see their success open doors for others. Netflix supports the Digital Advertising Alliance Principles. The new French series Inhuman Resources (Dérapages), starring the football star, Eric Cantona, lands on Netflix on May 15. I also kind of enjoyed it. The seven gilded episodes of “Hollywood,” arriving Friday, introduce a broad cast of would-bes and coulda-beens — black, gay, female — in a vivid but unconvincing ensemble fantasy about who gets to go to Dreamland and who has to keep dreaming. Don’t folks deserve to leave the picture show with some hope? This lavish counter-history looked set to dive deep into the murk of Tinseltown. Then “Hollywood” takes a turn, which it seems to rationalize, in a meta way, through the discussions over Archie’s script. In this alternative universe, the fictional Ace Studios serves as the backdrop for a series of history-making acts of good will on the part of straight white people, resulting in the production of “Meg,” a feature film penned by a gay black man, starring a black actress and directed by a half-Filipino filmmaker, whose wild success solves racism in show business for good. Though the show took place on Cape Cod, it … 2020 MA 15+ 1 season Social Issue TV Dramas. In Netflix’s ‘Hollywood,’ One Movie Fixes Racism. It’s a noble thought and an audacious premise. This lavish counter-history looked set to dive deep into the murk of … Hollywood’s Hollywood, circa 1947, is a place where racial prejudice and homophobia run rampant and where fresh-faced young people arrive full … The final episode takes a bold and bonkers leap in its rewrite of history, making “Meg” not only a box office hit but also an Oscars sensation — Avis, Camille and others, including Anna May Wong (cast in a supporting role in “Meg”), all take home awards. (Lana Turner’s discovery story it is not — though Schwab’s drugstore is just a short hop away.). The new movie “Hillbilly Elegy” is a series of rotten choices — occasionally by the characters, but mostly by Hollywood. Additionally, Archie Coleman (Jeremy Pope), the gay black screenwriter, walks the red carpet hand-in-hand with a young, then-unknown Rock Hudson and announces him as his boyfriend, thanking him during his acceptance speech. This is how Jack (David Corenswet), a war veteran who wants to be a screen star, ends up at the Golden Tip in Netflix’s “Hollywood,” hustling to support his pregnant wife (Maude Apatow) while he chases his other hustle. Who knew Hollywood even had a breachable reservoir? Then there’s The Woods, which is Netflix’s second Polish original series. Ryan Murphy’s new period melodrama, debuting Friday on Netflix, uses real figures from the past to tell an invented history of 1940s Hollywood. This six-part Netflix docuseries is such a good boy. What if Hollywood legends like “Rock Hudson and Anna May Wong and Dorothy Dandridge had had happy endings?” is how the actor Jeremy Pope recalled the story being pitched to him in an interview with Elle magazine. It argues that the path of history was not set by intractable forces but might have been rerouted had a few of the right people done the right thing. Here are some tips. Interview with Reed Hastings, on the future of Hollywood, the US election and social media, his new book about Netflix's aggressive company culture, and more More: New.blicio.us . Enter none other than Eleanor Roosevelt, who delivers a speech about “what it might mean to a dirt poor little black girl living in a shanty in some cotton town” to see someone like Camille onscreen. The production takes on a forced sunny tone, as if the whole series had landed in Oz and the screen turned from black and white to color. 02:23. The streaming service’s movies feature Oscars winners and box office stars and are a reminder of its power in a Hollywood that has been irrevocably changed during the pandemic. Based on Coben’s 2007 novel, it spans a quarter-century, bouncing back and forth from 1994 to 2019. Hollywood. The season premiere has several. The Golden Tip is run by Ernie (Dylan McDermott, looking like the porn version of Ronald Colman), a former silent-film star with the most conspicuous cough since “La Bohême.” It employs Archie (Jeremy Pope), a gay black screenwriter trying to sell a script based on the suicide of the starlet Peg Entwistle, who leapt to her death from the H in the Hollywoodland sign. Aisha Harris (@craftingmystyle) is a staff editor and writer in the Opinion section, where she covers culture and society. 'Hollywood' review: Ryan Murphy's new Netflix mini-series is a full-on disaster. In post-World War II Hollywood, an ambitious group of aspiring actors and filmmakers will do almost anything to make their showbiz dreams come true. Close. That’s one way to describe it. The Crown review, series 3: Olivia Colman dazzles, but the jewel in Netflix’s tiara has lost its shine ... Foy was compelling but with a pinch too much of a Hollywood aura. We’re told the story of William Haines, a gay decorator and onetime silent-film star who refused to live in the closet. With David Corenswet, Darren Criss, Laura Harrier, Joe Mantello. Both counterfactuals are played out in “Hollywood,” but they rest oddly alongside one another — one is playfully subversive; the other a retread of simplistic progressive logic about how to combat systemic oppression. The bid to make Archie’s movie starts as a glitzy, funny, gimlet-eyed dissection of bigotry and power. 38.3k. A pattern develops throughout the series: Someone white or white-passing makes an impassioned plea for a more powerful white person to take a chance on hiring a person of color for a role. Don’t miss it. Unbelievable review: The new Netflix miniseries, starring Toni Collette, Merritt Wever and Kaitlyn Dever is a uncomfortable, but ultimately necessary experience. A group of aspiring actors and filmmakers in post-World War II Hollywood try to make it big - no matter the cost. Netflix and third parties use cookies and similar technologies on this website to collect information about your browsing activities which we use to analyse your use of the website, to personalize our services and to customise our online advertisements. Hooray for Hollywood 46m. It's like inertia doesn't exist for Hollywood fights anymore. Chadwick Boseman's Ma Rainey's Black Bottom review. David Corenswet, Dylan McDermott, Maude Apatow, Jeremy Pope Daren Criss, Jim Parsons and more star in Ryan Murphy's Netflix series about people making it in post-WWII Hollywood. This plot mechanism reaches its eye-roll-y apex in the fourth episode, in which Patti LuPone’s Avis Amberg takes over as head of the studio after her husband suffers a heart attack. The scene is just like the “message pictures” from that era: earnest, unintentionally self-aggrandizing, wildly oversimplifying complex real-world issues like racism. Here is a fantasy set in the past where women, people of color and queer characters ultimately win, too. Then it lurches, halfway through, into a pep talk about what some kids can accomplish if they gather up their moxie and put on a show. We’d like to hear what you think about this or any of our articles. Drive up, tell the handsome attendant “I want to go to Dreamland,” and he’s yours, for a fee. ‘E.T. The show’s spinoff, “9-1-1: Lone Star,” now starring Gina Torres and a tank, returns right after. the Extra -Terrestrial’ (1982) Seven years after “Jaws,” Steven Spielberg conquered the … Henry preys on his own clients, including Rock, and in a pointed bit of casting, Mira Sorvino, who spoke out against Harvey Weinstein, plays a once-starlet trapped in a sexual arrangement with a powerful producer. I devoured each episode anyway. This is the path Ryan Murphy walks in “Hollywood,” which he co-created with Ian Brennan, effectively Murphy’s debut as a Netflix contract player. A mummified hand gradually emerges from the sluiced sand. Roosevelt goes on to say that she’s lost her faith in government’s ability to enact change, but what Avis and her colleagues do — make movies for the masses — is the real deal. JOIN NOW SIGN IN. “Hollywood” joins a boomlet of other TV alt-histories, like HBO’s “The Plot Against America” (set in a fascist 1940s United States) and Apple TV Plus’s “For All Mankind” (which imagines how society and world history might have changed if a woman had set foot on the moon in 1969). As Henry Willson — a real-life gay agent and power player — Jim Parsons pays out gleeful barbs like a sarcastic slot machine. Netflix Netflix. 1 star. A review of the six-part Netflix miniseries The Spy, about Mossad agent Eli Cohen, played by Sacha Baron Cohen, and also starring Hadar Ratzon Rotem, Yael Eitan, and Noah Emmerich. This has been as true of the entertainment industry as it has been of government — which is why it remains a big deal when a “Black Panther” or a “Crazy Rich Asians” or a “Wonder Woman” gets made, much less finds success. The Golden Tip is based on an actual gas-station brothel operated by Scotty Bowers, one of several repurposings of history in the series. Diversity wins in this Ryan Murphy miniseries starring Jim Parsons, … Hollywood review – Ryan Murphy’s Netflix epic is a hollow ode to showbiz. Everybody wants to go to Dreamland, right? Characters develop consciences and talents they had shown little evidence of. Learn more about our use of cookies and information. Dylan McDermott, left with David Corenswet, plays Ernie West, a former silent-film star who runs a gigolo operation that doubles as a gas station. Committed to publishing a diversity of letters to the happy resolutions conjured by... Repurposings of history in the past where women, people of color queer... 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